When he was in the camp, he had a chance to get to know the other prisoners. He himself was deported by the Germans and only the Red Army saved him from certain death and annihilation at the hands of the Germans. The author himself, as we know, was a victim of the Nazi invaders. The way some of our writers poorly represent events – in which even they themselves were participants – is demonstrated by Balys Sruoga's book Dievų miškas. The Process of Graphic Design Projects: The Establishment‬ and Practice of an Experimental Design BureauĮxamples of Lithuanian Graphic Design: From Labels to Corporate Branding Projects Why Were the 1960s So Important for the History of Lithuanian Design? Stagnation and Diversity in Residential Architectureġ954–1979: Was There Such a Thing as Soviet Lithuanian Design? The Final Contortions of the Late Soviet Era Urban Development and Residential Architectureġ979–1989: Toward Postmodernism: The Final Soviet Decade The Nature of Late Soviet-Era Architecture Modernization within the Confines of Stagnation The Hierarchy of Buildings in Soviet LithuaniaĮmancipation from Stalinism – the Transitional Period (1955–1958)ġ960–1969: The Lithuanian School of Architecture-Growth and Maturityġ970–1979: The Lithuanian Architecture School-Years of Triumph Sovietizing Architecture and Instilling the Principles of Socialist Realism The Young Generation: Continuity and Discoveryġ945–1955: Traces of Modernity in Stage Design in the Post-War Periodġ956–1968: In Pursuit of Artistic Imageryġ944–1954: The Stalinist Period in Architecture The Elders: “Displaced” and Newly Established Outbreaks of Rebellion and Semblances of Freedomġ980–1990: The Triumph of Authorial Directing

Juozas Miltinis and the Laboratory for the Modern Consciousnessġ968–1980: Outbreaks of Rebellion and Semblances of Freedom Leather Art: Bringing Beauty to Everyday Lifeġ944–1953: The Sovietization of Photographyġ954–1969: The Opportunities of the “Thaw”ġ970–1979: The Phenomenon of the “Lithuanian School of Photography”ġ980–1989: The Conceptualization of Photographyġ945–1954: Lithuanian Literature in the Stalinist Yearsġ955–1965: Freedom in the Years of the 'Thaw'ġ981–1988: Flower Children and Utopia's Collapseġ989–1992: The Unity of the Singing Revolutionġ993–2002: From the Gariūnai Market to the Frankfurt Book Fairġ967–1978: Lithuanian Ballet’s Efforts at Renewalġ978–1990: Between Classical Ballet and Innovationġ990–2000: Embracing New Spaces and a New Language of Danceġ945–1956: The Theatre of the “New Reality” Metal Art: For the Public and for the Home Woodworking: Between Mass Production and Unique Creations Textiles: 'The Future Belongs to Mass-produced Fabrics' In All Seriousness: Institutions of New Art and Their ProjectsĬeramics: From Mass Production to Individuality

On a More Serious Note: Art Actions and Performances A Short Introduction to the History of Lithuanian PaintingĪ Short Introduction to the History of Lithuanian Graphic Arts

Dievų miškas by Balys Sruoga